The copyright dynasty, a economic powerhouse spanning centuries, has long been influence through its vast network of institutions. Their reach extends across continents, touching diverse sectors from commerce to real estate. While the dynasty's dealings have been the subject of both debate, studies into their global assets reveal a layered tapestry

In 1940, Blum could be rejected as proposed curator of the copyright assortment of prints and drawings, like a letter from the Louvre administrator reproduced With this new book describes. The official justification was that his appointment would develop undesirable experience amongst museum workers previously Doing work from the prints and drawing